While researching for this mask, I used history websites as well as others selling more modern looking commedia masks. Many of them displayed great photos and descriptions of not only the characters but the masks as well. When making this piece, I started with a base mask that covered the forehead, nose and cheek area. Then I inflated a balloon and attached it to the nose piece with tape and built a bridge, joining the nose and mask together smoothly. I had to cut out the cheek areas to make it look more authentic to the usual style of mask for this character. Then I layered it with paper mache pieces and used tape to smooth the edges. Paint was used to cover the whole mask in a solid color. I used torn up cotton to make the eyebrows and attached black ribbon onto the top of the mask, then covering the ends so they were invisible. I put the ribbon on top of the mask so that way, when placing it on my head, the ribbon would gently pull the mask to shape my face. This was instead of having the ribbon on the inside, fighting the tension of the mask to pull away from my face.
The mask is “authentic” the way of shape and style. It was often mentioned in text that only the forehead and nose area were covered with mask. The cheeks were to be left exposed so the actor could rouge them in order for the audience to tell that he was a drunkard. Colors often used for this mask were darker colors, never bright or out of the ordinary. Usually black, brown or flesh tones were the only ones used for this stock character. The mask is not “authentic” in the fact that modern materials were necessary for its production. Paper mache, being made of flour and water, has been used for a long while. The other materials used were not exactly fit for the time period but worked very well for this project.
Some websites used:
http://www.shane-arts.com/Commedia-Dottore.htm
http://www.commediamask.com/pages/dottore.html
http://www.delpiano.com/carnival/html/commedia.html



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